Her mother, Hilda, worked double shifts at the textile factory. Her fingers were raw from thread, her back curved like a question mark. “Study, mija,” she would say, pushing a worn textbook across the table. “That is your escape.”

“What’s a little dove like you doing here?” he asked, his eyes not on her face.

Months later, Catalina stood in front of a mirror in a small room she now rented above a bakery. Her body had changed again—not from surgery, but from time and grief and the slow, stubborn work of rebuilding. She looked at her reflection. The breasts were still there, foreign and heavy, a monument to a lie she had once believed.

“And with them, there is only what you carry.”