The finale of the style gallery had to pay homage to her roots. But no nylon chiffon. The team brought out a hand-loomed Bengal Tant saree, stark white with a single red border. But instead of a traditional blouse, she wore a distressed denim jacket over it. Her feet were bare. Her sindoor (vermilion) was smudged like war paint.
That was the magic of the Star Plus Serial Actress Fashion Photoshoot and Style Gallery . It wasn't just about clothes. It was about reclaiming narrative. For years, these actresses were dressed by costume departments to look like passive ideals. But in the style gallery, Ananya Sharma was the curator. She rejected three outfits that were too ‘motherly.’ She insisted on keeping her real skin texture—no airbrushing away the dark circles from night shoots. New- Indian Star Plus Serial Actress Real Nude Pics.zip
The air in the Mumbai studio smelled of jasmine incense and fresh paint. For fifteen years, Ananya Sharma had graced the living rooms of a billion people as the beloved bahu (daughter-in-law) of the nation’s top-rated Star Plus serial, Sanskar Ki Doriyaan . But today, she wasn’t weeping softly in a chiffon saree or delivering a powerful monologue under a ceiling fan. Today, she was shedding her on-screen identity for a “Style Gallery” feature in Vogue India . The finale of the style gallery had to
She did. Her hair, freed from the usual tight braid, flowed in wild waves. She didn’t smile. She owned the frame. The gallery’s first image, titled The Heiress , went viral within hours of the digital release. Fans commented not on her character’s next plot twist, but on her clavicles, the sharpness of her gaze, the way the silver rings bit into her fingers. But instead of a traditional blouse, she wore
The gallery caption for this photo read: “Ananya Sharma, off-script.” It became the most pinned image on Pinterest that week, inspiring a thousand real-girl photoshoots.
The first look was an architectural marvel by Sabyasachi, but not the one you’d expect. It was a structured, corseted blazer in crushed velvet, paired not with a lehenga, but with flowing, wide-leg silk trousers in the deepest maroon. The jewelry was antique Rajasthani silver, heavy and loud. As Ananya stepped onto the set—a mock-up of a crumbling haveli with LED walls showing a digital monsoon—the photographer, Rajiv Mehta, clapped.
“Ananya! Forget the camera. Forget ‘Riya’ (her character). You are the woman who survived the family drama and bought the company. Walk.”