We are the ones who kept The Help in theaters for six months. We are the ones who made Mamma Mia! Here We Go Again a global phenomenon. We are the ones who stream The Crown not for the pageantry, but for the depiction of a woman (Imelda Staunton’s Elizabeth) learning to hold power while losing her relevance.
Here is how the landscape is changing, and how the most exciting roles in cinema are now being written for the women who have lived the most life. kristal summers neighborhood milf
The message to Hollywood is clear: