5.18.20.1
Optimization matters ...
Speed matters ...
Price matters ...
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Cutting Optimization Pro is a cutting software used for obtaining optimal cutting layouts for one (1D) and two (2D) dimensional pieces. The software also lets you to define and handle complex products, such as table, desk, cupboard, locker, book shelf ... |
Cutting Optimization Pro can be used for cutting rectangular sheets made of glass, wood, metal, plastic, or any other material used by industrial applications. |
Cutting Optimization Pro can also be used as cutting software for linear pieces such as bars, pipes, tubes, steel bars, metal profiles, extrusions, tubes, lineal wood boards, etc and other materials. |
Installer - it will create a shortcut in Programs folder and on Desktop.
Download the installer from here:cutting.exe (1.78 MB) or cutting.zip (1.76 MB).
Run it and follow the steps shown on screen.
Without installer
Download the program from here:cut.exe (6.0 MB) or cut.zip (2.13 MB).
You may save it directly on Desktop.
Run it. There is no installation kit. Please remember where you saved it so that you can run it next time.
If you don't know what to choose, please download the installer.
Afterward, she sat on the balcony, night swallowing the city. John brought her a club soda. “You’re sad,” he said. She laughed, dry as kindling. “No, darling. I’m just a blonde who learned that fire only feels warm if you don’t touch it.”
Los Angeles, 1979. The last year everyone still believed the amber sunlight could melt away a past.
They filmed a scene that wasn’t about bodies but about heat. The director, a bearded man in aviators, yelled “Action.” What happened was pure combustion—two supernovas in a shag-carpet living room. John, usually a craftsman of detached cool, found himself genuinely reaching. Jesie, all razor wit and bruised tenderness beneath the peroxide, let a single real tear escape when the camera wasn’t looking.
The set was a rented hillside house with shag carpet the color of rust and a view of the Valley smeared in smog. John leaned against a pillar, the famous presence coiled like a patient serpent. Jesie brushed past him, leaving a trail of Obsession perfume and the metallic tang of ambition. “You’re the legend,” she said, not a question. “And you?” he replied, voice a low rumble. “I’m the fire that doesn’t ask permission.”
He didn’t have a reply. Legends never do when truth speaks.
But on slow nights in Hollywood, old projectionists still whisper: You can’t watch that film without getting burned.
In the morning, she was gone. Only a scorch mark on the bedsheet and the smell of smoke in the California air. John would later say she was the only one who ever made him feel small. Not because she was bigger. Because she was real in a business that sold dreams by the reel.
Cutting Optimization 5- basic optimization
Fractional input in Cutting Optimization pro
Manual arrange after cutting optimization
Linear (1D) optimization
Material fiber (texture)
Moving parts between sheets
Google Sketchup & Cutting Optimization pro
Advanced import from Excel
Optimizing rolls / Magnifying a sheet
Working with products
Triming sheets with defects
The management of extra components
Restore an old inventory
Deleting multiple rows once
Working with edge banding
Afterward, she sat on the balcony, night swallowing the city. John brought her a club soda. “You’re sad,” he said. She laughed, dry as kindling. “No, darling. I’m just a blonde who learned that fire only feels warm if you don’t touch it.”
Los Angeles, 1979. The last year everyone still believed the amber sunlight could melt away a past. Blonde Fire -1979 John Holmes- Jesie St James- -
They filmed a scene that wasn’t about bodies but about heat. The director, a bearded man in aviators, yelled “Action.” What happened was pure combustion—two supernovas in a shag-carpet living room. John, usually a craftsman of detached cool, found himself genuinely reaching. Jesie, all razor wit and bruised tenderness beneath the peroxide, let a single real tear escape when the camera wasn’t looking. Afterward, she sat on the balcony, night swallowing the city
The set was a rented hillside house with shag carpet the color of rust and a view of the Valley smeared in smog. John leaned against a pillar, the famous presence coiled like a patient serpent. Jesie brushed past him, leaving a trail of Obsession perfume and the metallic tang of ambition. “You’re the legend,” she said, not a question. “And you?” he replied, voice a low rumble. “I’m the fire that doesn’t ask permission.” She laughed, dry as kindling
He didn’t have a reply. Legends never do when truth speaks.
But on slow nights in Hollywood, old projectionists still whisper: You can’t watch that film without getting burned.
In the morning, she was gone. Only a scorch mark on the bedsheet and the smell of smoke in the California air. John would later say she was the only one who ever made him feel small. Not because she was bigger. Because she was real in a business that sold dreams by the reel.
Free for schools, colleges and universities (for educational purposes)! Please apply here for a free educational license.
Want less features for less money? Try our Simple Cutting Software X.
Want to optimize more complex shapes? Try our Next Nesting Software X.
A list of features for each software is given here: Compare software.
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