Playing Today

2003 Film Thirteen

THE TALE OF SILYAN

Showtimes

12/14/2025 12:05 pm 12/14/2025 4:30 pm 12/15/2025 1:50 pm 12/15/2025 7:25 pm 12/16/2025 4:10 pm 12/17/2025 1:50 pm 12/18/2025 1:50 pm 12/18/2025 4:00 pm
2003 Film Thirteen

REBUILDING

Showtimes

12/14/2025 2:10 pm 12/14/2025 7:00 pm 12/15/2025 4:00 pm 12/16/2025 1:50 pm 12/16/2025 7:25 pm 12/17/2025 3:55 pm 12/18/2025 3:55 pm
2003 Film Thirteen

SENTIMENTAL VALUE

Showtimes

12/14/2025 7:10 pm 12/15/2025 3:55 pm 12/16/2025 4:00 pm 12/17/2025 4:00 pm 12/18/2025 7:20 pm
2003 Film Thirteen

AUCTION

Showtimes

12/14/2025 2:05 pm 12/14/2025 4:20 pm 12/15/2025 1:45 pm 12/16/2025 1:45 pm 12/17/2025 1:45 pm 12/17/2025 7:25 pm 12/18/2025 1:45 pm 12/18/2025 7:25 pm
2003 Film Thirteen

HAMNET

Showtimes

12/14/2025 2:00 pm 12/14/2025 4:50 pm 12/14/2025 7:40 pm 12/15/2025 1:40 pm 12/15/2025 4:30 pm 12/15/2025 7:20 pm 12/16/2025 1:40 pm 12/16/2025 4:30 pm 12/16/2025 7:20 pm 12/17/2025 1:40 pm 12/17/2025 4:30 pm 12/17/2025 7:20 pm 12/18/2025 1:40 pm 12/18/2025 4:30 pm
2003 Film Thirteen

STROSZEK – Sunday Schmooze

Showtimes

12/14/2025 10:00 am
2003 Film Thirteen

FANTASTIC MR. FOX

Showtimes

12/14/2025 12:00 pm
2003 Film Thirteen View The Full Calendar

Special Events

2003 Film Thirteen

STROSZEK – Sunday Schmooze

December 14, 2025
12/14/2025 10:00 am

2003 Film Thirteen

FANTASTIC MR. FOX

December 14, 2025
12/14/2025 12:00 pm

2003 Film Thirteen

7TH HEAVEN

December 16, 2025
12/16/2025 7:30 pm

2003 Film Thirteen View The Events Calendar
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2003 Film Thirteen

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2003 Film Thirteen

The arrival of Evie Zamora (Nikki Reed) acts as the catalyst that shatters Tracy’s fragile identity. Evie embodies a hyper-sexualized, defiant, and coolly autonomous femininity that is irresistible to Tracy. Critically, Evie is not a traditional antagonist but a mirror. Both girls share backgrounds of instability (Evie lives with a neglectful aunt), but Evie has weaponized her trauma into a performance of power.

[Your Course Name, e.g., Film and Society / Adolescent Psychology in Media] Date: [Current Date]

Psychologically, Tracy suffers from what object relations theory terms a “false self” adaptation. Unable to secure consistent mirroring and validation from her primary caregivers, she is primed to seek it elsewhere. When the film begins, her “good girl” identity is a fragile shell, already cracking from loneliness. This pre-existing emotional neglect is the critical factor that distinguishes Tracy’s trajectory from a simple “bad influence” narrative. She does not fall into delinquency because she is inherently rebellious, but because she is starving for a sense of belonging and visibility.